BEGIN:VCALENDAR
CALSCALE:GREGORIAN
VERSION:2.0
X-WR-CALNAME:DAGA 2016
METHOD:PUBLISH
PRODID:-//ORGANIZER//FH-CITY
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TZID:Europe/Paris
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
DTSTART:19810329T020000
TZNAME:GMT+02:00
TZOFFSETTO:+0200
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RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
DTSTART:19961027T030000
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BEGIN:VEVENT
CREATED:19700101T000000Z
UID:68
DTEND;TZID=Europe/Paris:20190915T122000
TRANSP:OPAQUE
SUMMARY:DAGA 2016
DTSTART;TZID=Europe/Paris:20190915T120000
DTSTAMP:20190915T120000Z
SEQUENCE:1
DESCRIPTION: Patricio De La Cuadra --- In flute-like instruments the pitch of the notes produced depend \non the instrument geometry as well as on the control the \nmusician exerts on it. Thus, a particular flute design requires from \nthe musician a specific strategy to obtain a set of notes “in \ntune” with a certain cultural intonation agreement. The control \nparameters available in most flutes include the jet speed and \nthe opening of one end of the flute, normally adjusted by the \nproximity from the lips to the labium. \nIn this paper we explore the relationship between the design of \nthe instrument and the control exerted by the musician, \nproposing algorithms to automatically design the bore \ngeometry and position and size of the toneholes for different \nmusicians control strategies.\n
LOCATION:Summer Theater
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