BEGIN:VCALENDAR
CALSCALE:GREGORIAN
VERSION:2.0
X-WR-CALNAME:DAGA 2016
METHOD:PUBLISH
PRODID:-//ORGANIZER//FH-CITY
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TZID:Europe/Paris
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DTSTART:19810329T020000
TZNAME:GMT+02:00
TZOFFSETTO:+0200
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DTSTART:19961027T030000
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BEGIN:VEVENT
CREATED:19700101T000000Z
UID:3
DTEND;TZID=Europe/Paris:20190914T140100
TRANSP:OPAQUE
SUMMARY:DAGA 2016
DTSTART;TZID=Europe/Paris:20190914T140000
DTSTAMP:20190914T140000Z
SEQUENCE:1
DESCRIPTION: Indraswari Kusumaningtyas --- The bundengan is a traditional musical instrument from \nIndonesia that has a half-dome structure, and uses clipped \nstrings and long, thin bamboo plates to generate metal-like and \ndrum-like sounds, respectively. In our previous study, we have \nunraveled the physics of the clipped strings. However, the \ninteraction between the strings and the half-dome resonator \nhas been largely unknown. In this study, we investigate this \ninteraction, particularly by measuring the directivity of the \nbundengan as the string vibrations are amplified by the \nresonator. We performed two sets of measurements, where the \ninstrument was played by traditional and contemporary artists, \nrespectively. This quantitative data complement our interviews \nwith, and qualitative observations on, the artists to provide a \ncomprehensive insight on how the directivity affects the musical \nperformance of the bundengan. Our results open new \npossibilities for the sustainability of this endangered instrument, \nas the quantitative analysis allows the makers and players to \nfurther enhance the instrument's musical performance.\n
LOCATION:Summer Theater
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